Fotoger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n T\u00fcrkiye\u2019deki ilk temsilcilerinden Nur Ko\u00e7ak\u2019\u0131n 1960\u2019lar ile 2010\u2019lar aras\u0131ndaki desenleri ve resim serilerinden olu\u015fan en kapsaml\u0131 sergisi \u2019Mutluluk Resimlerimiz\u2019, SALT Beyo\u011flu ve SALT Galata\u2019da ziyarete a\u00e7\u0131ld\u0131.<\/p>\n
Fotoger\u00e7ek\u00e7ilik ak\u0131m\u0131n\u0131n T\u00fcrkiye\u2019deki ilk temsilcilerinden Nur Ko\u00e7ak\u2019\u0131n 1960\u2019lar ile 2010\u2019lar aras\u0131ndaki desenleri ve resim serilerinden olu\u015fan en kapsaml\u0131 sergisi olan \u2019Mutluluk Resimlerimiz\u2019, SALT Beyo\u011flu ve SALT Galata\u2019da 29 Aral\u0131k tarihine kadar sanatseverlerin ziyaretine a\u00e7\u0131ld\u0131. 1981 tarihli bir seriden esinle adland\u0131r\u0131lan \u2019Mutluluk Resimlerimiz\u2019, kad\u0131n dergilerinden Hollywood sinemas\u0131na pop\u00fcler k\u00fclt\u00fcr\u00fcn yayg\u0131nla\u015fmas\u0131 ve T\u00fcrkiye\u2019deki yans\u0131malar\u0131n\u0131 ele\u015ftirel bir g\u00f6zlemci anlat\u0131c\u0131 olarak irdeleyen sanat\u00e7\u0131n\u0131n \u00fcretimine ayr\u0131nt\u0131l\u0131 bir bak\u0131\u015f sa\u011fl\u0131yor.<\/p>\n
Sergi hakk\u0131nda bilgi veren SALT Programlar ekibinden Amira Akb\u0131y\u0131o\u011flu, \u2019\u2019Sergi, SALT\u2019\u0131n 2 yap\u0131s\u0131na yani SALT Beyo\u011flu ve SALT Galata\u2019ya yay\u0131l\u0131yor. SALT Beyo\u011flu\u2019nda T\u00fcrkiye\u2019de ilk fotoger\u00e7ek\u00e7i ressamlardan bir tanesi olan Nur Ko\u00e7ak\u2019\u0131n, 70\u2019lerde ba\u015flayan sanat\u00e7\u0131 prati\u011fine e\u011filirken, SALT Galata\u2019da -1\u2019de sergilenen b\u00f6l\u00fcm, \u00f6\u011frencilik d\u00f6nemindeki \u00e7izimlerini ve desenlerini izleyici ile bulu\u015fturuyor. Sergi, 29 Aral\u0131k tarihine kadar 2 yap\u0131da a\u00e7\u0131k olacak. Sergi, SALT Beyo\u011flu\u2019nda Nur Ko\u00e7ak\u2019\u0131n \u2019Vivre [Ya\u015famak] ya da Feti\u015f Nesne 1\u2019 isimli 1974\u2019te \u00fcretti\u011fi ve milad\u0131 olarak nitelendirdi\u011fi ilk \u2019Feti\u015f Nesne\u2019 resminden 2018\u2019e kadar s\u00fcren ve t\u00fcm kariyerine yay\u0131lan prati\u011fi, heykelleri, foto\u011fraflar\u0131 ve resimleri \u00fczerinden seyredilebilecek” dedi.<\/p>\n
Akb\u0131y\u0131ko\u011flu \u015f\u00f6yle devam etti: \u2019\u2019Nur Ko\u00e7ak, \u00f6ncelikle 1970\u2019lerde kad\u0131n dergilerindeki reklam foto\u011fraflar\u0131ndan yola \u00e7\u0131karak ve bu foto\u011fraflar\u0131n kaynakl\u0131k etti\u011fi resimler yap\u0131yor. Sonras\u0131nda vitrinler serisiyle beraber kendi \u00e7ekti\u011fi foto\u011fraflar\u0131 tuale aktarmaya \u00e7al\u0131\u015f\u0131yor. \u0130stanbul\u2019un belli ba\u015fl\u0131 al\u0131\u015fveri\u015f caddelerinde \u00f6zellikle Moda, Beyo\u011flu ve \u0130stiklal Caddesi \u00fczerinde ilgisini \u00e7eken vitrinleri \u00f6nce foto\u011fraflay\u0131p sonra \u00e7ekti\u011fi foto\u011fraflar\u0131 resmine malzeme ediyor. Bu arada hem \u2019Mutluluk Resimleriniz\u2019 serisinde de hem Ca\u011falo\u011flu\u2019ndan toplad\u0131\u011f\u0131 kartpostallara yapt\u0131\u011f\u0131 m\u00fcdahalelerle \u00fcretti\u011fi \u2019M\u00fcdahale Edilmi\u015f Kartpostallar\u2019 serisine hem de kendi kartpostallar\u0131n\u0131 \u00fcretmek i\u00e7in yine Kelebek gazetesine g\u00f6nderilmi\u015f okuyucu foto\u011fraflar\u0131ndan \u00e7al\u0131\u015ft\u0131\u011f\u0131 siyah beyaz \u00e7izim serisi de SALT Beyo\u011flu\u2019nda g\u00f6r\u00fclebilecek\u2019\u2019.<\/p>\n
\u2019Mutluluk Resimlerimiz\u2019, SALT Beyo\u011flu\u2019nun giri\u015f mek\u00e2n\u0131 Forum\u2019da Vitrinler (1989-2019) serisinden bir se\u00e7kiyle ba\u015fl\u0131yor. K\u00fcreselle\u015fen t\u00fcketim k\u00fclt\u00fcr\u00fcn\u00fcn \u0130stanbul\u2019un merkezindeki ma\u011faza vitrinlerine etkisine bakan foto\u011fraf ve resimler, o zamana dek mahrem say\u0131lan \u00fcr\u00fcnlerin te\u015fhire sunulmas\u0131yla kad\u0131n bedeninin seyirlik bir nesne olarak kimliksizle\u015ftirilmesini sorgular. Boncuk i\u015flemeler ve parlak ta\u015flarla s\u00fcsl\u00fc file \u00e7oraplar\u0131n, dantelli i\u00e7 \u00e7ama\u015f\u0131rlar\u0131n\u0131n ve t\u00fcrl\u00fc aksesuar\u0131n sokak imgeleriyle i\u00e7 i\u00e7e ge\u00e7ti\u011fi Ebrusan Vitrini (1993-1996) y\u0131llar sonra Beyo\u011flu\u2019nda sergilenmeye ba\u015fland\u0131.<\/p>\n
Yap\u0131lan bilgilendirmede \u015fu ifadelere yer verildi: \u2019\u2019Ko\u00e7ak, \u00fc\u00e7\u00fcnc\u00fc katta konumlanan Feti\u015f Nesneler (1974-1988) ve Nesne Kad\u0131nlar (1975-1979) serilerindeyse, Paris\u2019te devlet bursuyla resim e\u011fitimi al\u0131rken, takip etti\u011fi kad\u0131n dergilerinden g\u00f6rsel unsurlar\u0131 kulland\u0131. Ba\u015flang\u0131c\u0131, \u2019sanat prati\u011finin milad\u0131\u2019 olarak niteledi\u011fi, 1974 tarihli Vivre [Ya\u015famak] resmi olan Feti\u015f Nesneler\u2019de, pop\u00fcler t\u0131rnak cilas\u0131, ruj ve parf\u00fcm markalar\u0131n\u0131n albenili foto\u011fraflar\u0131n\u0131 i\u015flev ve ba\u011flam\u0131ndan kopararak an\u0131tsal boyutlarda tuvale aktar\u0131yor. Nesne Kad\u0131nlar\u2019daki K\u0131rm\u0131z\u0131 ve Siyah (1976) ve Hommage Vasarely [Vasarely\u2019ye Sayg\u0131] (1977) gibi i\u015flerde de, i\u00e7 \u00e7ama\u015f\u0131r\u0131, mayo ve bikini reklamlar\u0131n\u0131n y\u00fcz\u00fc olmayan \u2019anonim\u2019 kad\u0131nlar\u0131n\u0131 resmediyor. Sanat\u00e7\u0131n\u0131n y\u00fcz\u00fcne yer verdi\u011fi tek \u2019arzu nesnesi\u2019 kad\u0131n, T\u00fcrkiye sinemas\u0131n\u0131n ilk y\u0131ld\u0131z oyuncusu, yap\u0131mc\u0131 ve y\u00f6netmen Cahide Sonku\u2019dur. 1935\u2019te Batakl\u0131 Dam\u0131n K\u0131z\u0131 Aysel filmiyle \u015f\u00f6hret bulan Sonku, ba\u011f\u0131ms\u0131z duru\u015fu ve Hollywood y\u0131ld\u0131zlar\u0131n\u0131 and\u0131ran sar\u0131 sa\u00e7lar\u0131yla k\u0131sa bir s\u00fcrede \u2019Bat\u0131l\u0131la\u015fma emeli\u2019nin bir temsiline d\u00f6n\u00fc\u015f\u00fcr. Ko\u00e7ak, tiyatro oyunlar\u0131ndan foto\u011fraflar ve filmlerden kareleri i\u015fledi\u011fi Cahide\u2019nin \u00d6yk\u00fcs\u00fc (1996-2006) serisinde, 1960 \u00f6ncesi kentli orta s\u0131n\u0131f\u0131n be\u011fenileri kadar, Sonku\u2019nun \u00fcretimlerinden \u00e7ok ini\u015f \u00e7\u0131k\u0131\u015fl\u0131 hayat\u0131yla g\u00fcndeme getirilerek itibars\u0131zla\u015ft\u0131r\u0131lmas\u0131na vurgu yapar\u2019\u2019.<\/p>\n
Verilen bilgiye g\u00f6re, bir subay k\u0131z\u0131 olan Ko\u00e7ak\u2019\u0131n \u00e7ocukluk ve gen\u00e7lik an\u0131lar\u0131yla toplumsal belle\u011fe kaz\u0131nm\u0131\u015f \u2019mutluluk\u2019 mizansenlerini bulu\u015fturan serileri yap\u0131n\u0131n ikinci kat\u0131na yay\u0131l\u0131r. Anne babas\u0131n\u0131n evlendi\u011fi 1930\u2019dan 1950\u2019lere \u00f6zel g\u00fcnlerde, \u00e7o\u011fu st\u00fcdyoda \u00e7ekilmi\u015f hat\u0131ra foto\u011fraflar\u0131n\u0131 temel alan Aile Alb\u00fcm\u00fc (1979-2012), toplumun her \u00fcyesine belirli bir rol atad\u0131\u011f\u0131, ideal cumhuriyet ailesinin portresi gibidir: \u00fcniformal\u0131 baba fig\u00fcr\u00fc ailenin kurumsall\u0131\u011f\u0131n\u0131, \u00f6zverili anne fig\u00fcr\u00fc destek ve devaml\u0131l\u0131\u011f\u0131, \u00f6zenle giydirilmi\u015f \u00e7ocuklarsa umutla bak\u0131lan gelece\u011fi yans\u0131t\u0131r. \u2019Mutluluk Resimleriniz\u2019 (1981) serisi, sanat\u00e7\u0131n\u0131n 1970\u2019lerin sonunda kat\u0131ld\u0131\u011f\u0131 posta sanat\u0131 sergileriyle gitgide artan kartpostal kullan\u0131m\u0131n\u0131 g\u00f6r\u00fcn\u00fcr k\u0131lar. Ca\u011falo\u011flu\u2019ndan toplama, romantizm temal\u0131 asker kartpostallar\u0131na m\u00fcdahalelerle olu\u015fturdu\u011fu bir dizi i\u015fe, bir d\u00f6nem ba\u011f\u0131ms\u0131z bir kad\u0131n gazetesi olarak yay\u0131mlanan Kelebek\u2019teki \u2019Mutluluk Resimleriniz\u2019 k\u00f6\u015fesinden yola \u00e7\u0131karak yapt\u0131\u011f\u0131 siyah beyaz \u00e7izimler e\u015flik eder. Kad\u0131n ve erke\u011fin birlikte g\u00f6r\u00fcld\u00fc\u011f\u00fc kartpostallar\u0131n yan\u0131 s\u0131ra sadece erkek foto\u011fraflar\u0131n\u0131n yer ald\u0131\u011f\u0131 bu k\u00f6\u015feye odaklanan Ko\u00e7ak, deneyimler ve temsilleri aras\u0131ndaki uyumsuzlu\u011fa dikkati \u00e7eker. SALT Beyo\u011flu\u2019ndaki enstalasyon, 1982\u2019deki g\u00f6steriminden bu yana ilk kez, serideki b\u00fct\u00fcn kartpostallar\u0131n her iki y\u00fcz\u00fcn\u00fcn incelenmesine olanak tan\u0131r. Akademinin tarifledi\u011fi kat\u0131 kurallara kar\u015f\u0131n fotoger\u00e7ek\u00e7i resimler yapmay\u0131 s\u00fcrd\u00fcren Ko\u00e7ak, hem mecra ve teknik se\u00e7imindeki kararl\u0131l\u0131\u011f\u0131 hem de feminist bak\u0131\u015f a\u00e7\u0131s\u0131na sahip \u00fcretimleriyle kad\u0131n kimli\u011finin yok say\u0131ld\u0131\u011f\u0131 ya da arka planda b\u0131rak\u0131ld\u0131\u011f\u0131 sanat tarihsel anlat\u0131n\u0131n d\u00f6n\u00fc\u015f\u00fcm\u00fcne \u00f6nemli katk\u0131larda bulunur.<\/p>\n
Verilen bilgiye g\u00f6re, sanat\u00e7\u0131n\u0131n \u0130stanbul Devlet G\u00fczel Sanatlar Akademisi\u2019ne girdi\u011fi 1960 ile Mill\u00ee E\u011fitim Bakanl\u0131\u011f\u0131\u2019n\u0131n a\u00e7t\u0131\u011f\u0131 Avrupa Konkuru\u2019nu kazanarak Fransa\u2019ya gitti\u011fi 1970 aras\u0131ndaki \u00f6\u011frencilik desenleri SALT Galata\u2019da sergilenir. 1941 do\u011fumlu Ko\u00e7ak, ilk resim \u00e7al\u0131\u015fmalar\u0131n\u0131, ilk ve orta \u00f6\u011frenime devam etti\u011fi TED Ankara Koleji\u2019nde Turgut Zaim\u2019le yapar. Liseyi bitirdi\u011fi Washington\u2019da, soyut d\u0131\u015favurumcu Leon Berkowitz\u2019in \u00f6\u011frencisi olur ve okulun \u2019en iyi resim \u00f6\u011frencisi\u2019 se\u00e7ilir. Akademi y\u0131llar\u0131nda \u00f6ncelikle Adnan \u00c7oker galerisinde; ard\u0131ndan Cemal Tollu ve Ne\u015fet G\u00fcnal at\u00f6lyelerinde \u00e7al\u0131\u015f\u0131r. Serginin son b\u00f6l\u00fcm\u00fcn\u00fc te\u015fkil eden SALT Galata sunumu, Ko\u00e7ak\u2019\u0131n eskiz, kroki ve et\u00fctleri \u00fczerinden s\u00f6z konusu d\u00f6nemde akademide egemen desen e\u011fitimi anlay\u0131\u015f\u0131n\u0131 \u00f6rneklendirir.<\/p>\n
\u2019Mutluluk Resimlerimiz\u2019 sergisinin, sanat tarih\u00e7isi Ahu Antmen ile SALT\u2019tan Amira Akb\u0131y\u0131ko\u011flu taraf\u0131ndan programland\u0131\u011f\u0131 belirtildi.<\/p>\n","protected":false},"excerpt":{"rendered":"
FOTOGER\u00c7EK\u00c7\u0130L\u0130K AKIMININ T\u00dcRK\u0130YE\u2019DEK\u0130 \u0130LK TEMS\u0130LC\u0130LER\u0130NDEN NUR KO\u00c7AK\u2019IN 1960\u2019LAR \u0130LE 2010\u2019LAR ARASINDAK\u0130 DESENLER\u0130 VE RES\u0130M SER\u0130LER\u0130NDEN OLU\u015eAN EN KAPSAMLI SERG\u0130S\u0130 ‘MUTLULUK RES\u0130MLER\u0130M\u0130Z’, SALT BEYO\u011eLU VE SALT GALATA\u2019DA Z\u0130YARETE A\u00c7ILDI.<\/p>\n","protected":false},"author":1,"featured_media":199380,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[656],"tags":[288,6077,50133,1335,1267],"class_list":["post-199379","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat","tag-acildi","tag-mutluluk","tag-resimlerimiz","tag-sergisi","tag-ziyarete"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/www.tvturk.com\/wp-content\/uploads\/2019\/09\/mutluluk-resimlerimiz-sergisi-ziyarete-acildi_d7db9af.jpg?fit=1000%2C665","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/paKIfm-PRN","_links":{"self":[{"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/posts\/199379","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/comments?post=199379"}],"version-history":[{"count":0,"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/posts\/199379\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/media\/199380"}],"wp:attachment":[{"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/media?parent=199379"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/categories?post=199379"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.tvturk.com\/index.php\/wp-json\/wp\/v2\/tags?post=199379"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}